Studios and producers

The 2257 index and the clock on it — every performer, every alias, every URL — and a drill for the inspection that arrives without notice.

Refuses a grant that overlaps an existing exclusive, and shows you the one it collides with. Plus everything lapsing next.

Scene-level consent, what was granted for which use, and the withdrawal that has to be honoured across everything already published.

State talent-agency licensing, the performer splits you are contractually bound to, and the 1099s that have to match them.

A catalogue in, a disclosure label per item out - worded and length-capped the way the one surface you pick wants it, plus a machine-readable manifest of the whole library and a CSV.

Drop in the stills off a shoot; every frame is looked at on Tower 1 and sorted into the sets you can actually use.

A concept in, a shoot plan out - beats with their share of the runtime, the shot list and direction for each, and the pre-shoot paperwork checklist printed against the plan.

One casting notice per surface, each obeying that place's own limits and each checked after it is written against what that place requires.

What is in your shot that belongs to somebody else - the radio audible in one shot, the poster on the wall, the phone screen with a film on it.

Which of the old catalogue is worth bringing back - the file against today's specs in arithmetic, the clock on its paperwork, and one of five verdicts on each.

What your copy claims about a person, against what you can show - every claim found on Tower 1, then judged against your own release register in Python.

A shoot day's cleared-to-work board: each booked performer's last clearance date, asked as of the shoot day - who is inside the window, who lapses before call, who must retest. Dates only, never results.

Bloodborne-pathogens paperwork for a California set: the written exposure control plan and its yearly reviews, training sign-offs, hepatitis B offers and signed declinations, and the exposure-incident log, every clock running.

A catalogue copyright-registration tracker: every title with its first-publication date and the three-month registration deadline for statutory damages, with unpublished titles batched into group filings of up to ten.

Reads footage every two seconds for anybody who might look under 25 and puts each such moment in front of a person, who settles it against the studio's own age records - with the record of who decided what kept and exported.

An overnight queue that turns old SD titles into clean 720p or 1080p files - deinterlaced if needed, kept at their true shape, denoised, enlarged, colour-converted for HD - with a before/after still for each.

A Cal/OSHA IIPP file under 8 CCR 3203: the written eight-element program, inspections with each hazard's fix-by date, training by person and topic, and every injury investigated.

Performer royalty statements: each deal's share per title, advances worked off, quarterly statements a performer can read, and royalties on 1099-MISC box 2 or performing pay on 1099-NEC at year end.

A deceased performer replica file under New York's right of publicity: each title's use, whether consent is needed and why, and the estate's written permission with its scope and expiry.

A digital-replica clause register under California Labor Code 927: each clause's performer, contract and dates, and which of the three conditions it meets, with the counsel or union details that count.